CREATIVE PRODUCTION – Martina Igore

EVENT PRODUCTION

Paris Film Screening of Eno by Gary Hustwit

While working as Creative Coordinator for Vince Duqué Stories, I had the opportunity to organize and host the Paris screening of Eno, an innovative documentary film by acclaimed filmmaker Gary Hustwit.

The film explores the creative legacy of Brian Eno, the legendary music producer, composer, and pioneer of ambient music, known for shaping the sound of artists like U2, David Bowie, and Talking Heads. However, what makes Eno truly unique is its AI-generated editing system, which ensures that every screening is a one-of-a-kind experience—no two audiences will ever see the same version of the film.

For the Paris screening at Luminor Cinema, I managed event production, film screening logistics, and audience engagement, ensuring a smooth immersive cinematic experience. I also coordinated a Q&A session and a post-screening networking event, creating an opportunity for discussion around experimental filmmaking, AI in cinema, and Eno’s creative process.

FILM PRODUCTION

This is not a film about U2

As the Production Coordinator for This Is Not a Film About U2, an independent documentary-style feature film written and directed by Vince Duque, I was responsible for overseeing the execution of both the pre-production and production phases.

My role involved seamless coordination between departments, managing schedules, and ensuring that all creative elements aligned with the director’s vision. I worked closely with the team on location scouting, prop selection, and maintaining the overall visual direction, ensuring that the film’s aesthetic was both consistent and impactful. From negotiating with suppliers to organizing logistics, I ensured that the production ran smoothly by facilitating communication and addressing any challenges that emerged.

During the pre-production phase in Paris, I handled all organizational and logistical tasks, meticulously planning every detail. This included assembling the crew and managing administrative workflows, creating the foundation for an efficient and well-organized production.

The production took place across iconic locations in the United States, with shoots in New York and Los Angeles. I was responsible for overseeing travel arrangements, transport logistics, and on-the-ground coordination, ensuring smooth transitions between locations. Additionally, I managed the administrative aspects of the production, maintaining operational efficiency throughout.